You can hear it on bubbling "Karma" and "Lavender Haze," which finds Swift feeling constrained by society's prudish expectations on celebrities-the constant questions about engagements, marriage, children. It's ironic that Maggie Rogers borrowed a touch of Swift's folksy side for her latest record, because Midnights often sounds like Rogers' electro-pop. The vocals on"Midnight Rain" are slowed and warped to a David Lynch-ian place. It's synth pop that's not trying to be perfect (which isn't to say every move Swift makes isn't calculated): Sometimes the sounds are warped, even grotesque.
For the singer's 10th album, she's revived the best bits of her 1989 album-the chill of "Blank Space," "Style"-and re-thought them for the moment. Purchase and download this album in a wide variety of formats depending on your needs.
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